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FEATURED PROJECT

(0,1,255)

Music

Branding, Products, & Merch

LOGO, MERCH, POSTER, SOCIAL MEDIA

Memphis, Tennessee [2024]

After Hours

AUDIO REACTIVE VJ PERFORMANCE

Denver, Colorado [2022]

100 Gecs x Jack White

ALBUM, SINGLE COVERS

New York City [2022]

John Cote

RESEARCH, ALBUM COVERS, PLAYLISTS, EXHIBITION

Denver, Colorado [2022]

KEEP ON BxTCHING

To further explore what Legacy Russell’s ideas of Glitch Feminism mean to me, I created four distinct categories, or genres, of select feminist songs that have been influential anthems in shaping ways I discover femineity. For each genre, a playlist of existing songs was made as the track list and a distorted, diffused, and layered glitch collage of their original album covers act as a new disruptive and eye-grabbing cover art embracing the overarching theme. The track lists, glitched cover art, and zine cutting were combined into four final CD cases, one representing each genre. To display the new glitch albums in the context of a femineity discovery journey, a tall, eight-shelf floral cabinet was staged with the new albums, older male dominated and muted albums for stark contrast, several representations of female form from different gazes, books highlighting powerful women, menstruation products, makeup and jewelry, and even more knickknacks seemingly belonging to an adolescent female. The themes of the separate shelves are reflective of the new genre album of feminist anthems neighboring it. These themes and genres are CNTRL, R3VENG3, P$YPWR, and I’M THAT BXTCH.

PETEFEST

Denver, Colorado [2021]

Festivals

1st Runner Up

Local Student Artist Contest by The Pete Foundation

MUSICFEST

Denver, Colorado [2019]

PETEFEST

Louisville, Kentucky [2018]

1st Runner Up

Local Student Artist Contest by The Pete Foundation

Petefest_KY_2018.avif

MERCH, SINGLE COVERS

Louisville, Kentucky [2017]

Second Street Bridge

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